Those who know Bill Evans know how much he and his music have been a milestone in the history of jazz, and Kind of Bill, as expressed by Dado Moroni himself, a musician of masterful piano maturity, is not just a tribute, but is a celebration of the legacy that Bill Evans has left us, a true reminder of the memory, choice of notes and style of this great artist. At the same time, this project is also a tribute to two extraordinary musicians who collaborated to creating the music and sound we still know today as the Bill Evans sound by recording with the American pianist and composer records that are still considered precious gems of jazz discography: Puerto Rican double bassist Eddie Gomez and American drummer Joe La Barbera. Gomez, gifted with virtuoso and brilliant technique, played for no less than eleven years with Evans, and was featured on, among others, the celebrated 1968 album Live At The Montreux Jazz Festival. La Barbera, a musician who was always measured and intelligent in opening spaces for his comrades, was Evans' last drummer before his passing, as well as the protagonist of another milestone such as The Paris Concert.